| Complete Works |
| 2011 auslander pattern field IV - for any four instruments, four page score pattern field V - for any four instruments, two page score pattern field VI - for any voice and any pitched instruments, two page score pattern field VII - for any pitched instrument(s), one page score slacker anthem the scorpions last kiss this arizona coil |
| 2010 the desert will prevail (2010-2011) - one page lead sheet In Praise of Winter - for multiple voices and samples In Pursuit of the Scarlet Woman - song cycle The Man With The Wind At His Heels - one page lead sheet Opening Band Blues - one page lead sheet Slack Theory II - for quartet, ? page score, separate parts (vibraphone/piano, bass/bass) Slack Theory III (time lag sun accumulation) - for quartet, seven page score, separate parts (vibes/piano, bass/bass) Slack Theory IV (the low gear regret filter) - for quartet, four page score, separate parts (vibraphone/piano, bass/bass) |
| 2009 last (passing) moment (for James Tenney) - for vibraphone and any other instruments, one page score pattern field I - for any four instruments, four page score pattern field II (for Miles Davis) - for any instruments, two page score pattern field III - for any four instruments, two page score the rain has followed me home - for voice, one polyphonic instrument and other instruments This Middle Ground - eight pieces for multiple instrumentation (a quasi operatic song cycle) last tango in san marcos partito alto endgame the crux morning brings rain this middle ground any chance? ascending what does a mirror hold - for voice and any instruments, five page score |
| 2008 (clock noticing the few moments left) - for quintet, five page score, separate parts (vibraphone/guitar, bass/bass) dream:annex - for voice, piano, organ, percussion and electronics (high female voice, piano, organ, vibraphone, tone bells, chimes, sampled material) dream:annex - arrangement for quintet (high female voice, piano, vibraphone, bass, drums) once more around this burning sphere - for quintet, eight page score, separate parts (vibraphone/guitar, bass/bass) The Owl Of Brittany Road (Specter of the Late Late Night) - for large ensemble, brass/woodwinds/strings/percussion Slack Theory V (ebb & flow) - for quartet, eight page score, separate parts (vibraphone/piano, bass/bass) we sing - voices + pipe organ, one page vocal part, two page part for pipe organ |
| 2007 Deweys Gone - one page leadsheet Elegy - for octet, three page score, transposed parts (trumpet, alto sax, tenor sax, trombone, piano, acoustic bass, drumkit, high voice) encinitas and everything after - for quintet, six page score, transposed parts (flute, bass clarinet, vibraphone, acoustic bass, drumkit/percussion) finding your inner greg (for Mark Dresser) - one page score for any three instruments Hold The Faucet (for Paul Haines) - three page score for piano, bass and drums in mistaking a street light for the moon - three page score for piano, bass and drums Keep On Truckin, Brother - for septet, one page lead sheet, transposed parts (trumpet, alto sax, tenor sax, trombone, piano, acoustic bass, drumkit) New Land - for septet, three page score, transposed parts (trumpet, alto sax, tenor sax, trombone, piano, acoustic bass, drumkit) rememberance - Diane Hubbard - one page lead sheet next train (2006, this arrangement 2007) - for large jazz ensemble, 30 page score, parts (two alto saxophones, two tenor saxophones, baritone saxophone, three trumpets, one flugelhorn, three tenor trombones, bass trombone, guitar, acoustic bass, drumkit, vibraphone, percussion) Zeitgeist III - one page score for any three instruments |
| 2006 Box Canyon Overview - for ten percussion and piccolo/flute - ten page score, seperate parts drive (for JS) - (2006-2008) 18 minute drone piece for Tillman Anthony - for solo percussionist Litany Of Disclaimers - one page score for any instrumentation, modular notation One Rabbit Down - one page score, for any instrumentation, melodic contour piece next train - for percussion ensemble, ten page score, parts (glockenspiel, xylophone, vibraphone, marimba, acoustic bass, drumkit, percussion) next train - woodwind quintet version next train - vibraphone/piano quartet version |
| 2005 Circle Within A Circle - (2005-2006) - for tape and improviser Constant Flow - for four percussionists and dancer Downtime - four page score for three instruments, pages to be read in any order Eyes In The Back Of My Head - for quartet, six page winds part, five page bass/drum part following the moon - for quintet, three page score, everyone reads from score (high voice/piano, vibraphone/berimbau, acoustic bass, drumkit) for the ghosts/while we sleep -seven pieces for percussion sextet to be used in any order or combination while we sleep II - one page score, six bar mixed meter vamp for five percussionists while we sleep III - one page score, pulse + long mixed meter vamp for any instrumentation its certain fall I - one page score, three textural areas for any instrumentation its certain fall II - one page score of text/gestures, for any instrumentation before darkness falls I - one page score for six percussionists, 2 kyeezees, 2 bell plates, 2 tam tams, 6 thundersheets before darkness falls II - one page score for six percussionists, any instrumentation of like instruments before darkness falls III - one page score for any instrumentation of like instruments Furiously Dreaming - for large ensemble, ? page score, transposed parts (upper winds, lower winds, upper brass, lower brass, piano/organ, 2 guitars, 2 basses, 2 percussion) iii - one page score for any three instruments Loop II - one page score, for any three instrumentation Loop III - one page score, for any three instrumentation Loop IV - one page score, for any two like instruments Mirror Forgot - (2005-2008) for large ensemble, ? page score, transposed parts for 6 woodwinds, 2 trumpets, horn, 2 trombones, bass trombone, tuba, piano, 2 guitars, 2 basses and percussion. Nevermore - one page score, for vibraphone/bass/percussion Slack Theory I - one page score, for any two instruments This Is The Retirement Home - one page score for any two instruments, rhythmic notation Track 1 (for RC) - 1 page score, everyone reads from score (open instrumentation) Track 2 (for AB) - 1 page score, everyone reads from score (open instrumentation) |
| 2004 Crows On The Roof (2004-2008) ? page score, transposed parts (five woodwinds - 2 soprano sax, alto sax, tenor sax, bari sax; two trumpets, horn, two tenor trombones, bass trombone, tuba, 2 guitars, 2 electric basses, acoustic bass, 4 percussion - two drumkits, two multi-percussion) 1/26/78 - six page score, transposed parts Other Ideas (2004-2008) for large ensemble, 20 page score, parts (five woodwinds-flute/clarinet/soprano saxophone, alto saxophone/clarinet, clarinet/tenor saxophone, tenor saxophone, bass clarinet, two trumpet/flugelhorn, horn, two tenor trombone, bass trombone, tuba, piano, two basses, four percussion) Put Some Butter On It (for Malachi Favors Maghoustus) - for solo bass, two page score Sleep/Dream/Silence (2004-2008) -for medium ensemble and two poets - two violins, cello, two basses, two guitars, harp, two vibraphones, marimba, bass pan Waterlillies (for James Lynn) - for voice, piano, vibraphone, acoustic bass and percussion - five page score |
| 2003 And We All Fall Down (2003-2008) for large ensemble, 20 page score Child Of The Earth - one page score, everyone reads from score empty vessels of contaminated light -for any four instruments or any four ensembles, four set of papers (four pages to each set)- 1. four diagonal lines with notation concerning entrances, duration and register 2. traditional notation on four staffs to be read in any clef 3. shape notation, mostly long intertwining lines 4. shape notation, mostly small dots in various shapes. Score to be realized in any order or direction. Fo/ur - 3 page score for bongo quartet If I Could See You Tonight -for two violins, two electric guitars, two celli, two acoustic basses and two drumkits -four page score, separate parts for each instrument. Indian Head Canyon (2003-2004) for quintet, three page score, everyone reads from score (Keep Your) Eyes On The Snake (2003-2004) -for two trumpets, horn, tenor trombone, bass trombone, tuba and two drumkits -five page score, separate parts for upper brass, lower brass and percussion. Miss You Peter - for two flugelhorns, horn, tenor trombone, bass trombone, tuba and two drumkits -three page score, everyone reads from score. No Rain/No Water (for Fela Kuti) (2003-2004) -for two trumpets, horn, tenor trombone, bass trombone, tuba and two drumkits -six page score, separate parts for upper brass, lower brass and percussion. Rock Paper Scissors - six page score for percussion quartet The Venom Speaks - for two violins, two electric guitars, two celli, two acoustic basses and two drumkits -two page score, everyone read from score. |
| 2002 a secret no one knows I - two page score for alto saxophone, two tenors saxophones, baritone saxophone a secret no one knows II - three page score, everyone reads from score Certain Parts (for Ward Baxter) (2002-2003) five page score, everyone reads from score crossing over - the last step in any journey (for jessica) (2002-present) -for percussion ensemble (2 glockenspiels, 2 vibraphones, 2 xylophones, 2 marimbas (A), and piano), eight page score, parts Don't Look Says The Crow (i don't believe you) (2002-2003) 20 page score, transposed parts (five woodwinds-alto sax/clar/dopplerophone, alto sax/dopplerophone, tenor sax/clar/dopplerophone, tenor sax/dopplerophone, baritone sax/dopplerophone; two trumpets, horn, two trombones, bass trombone, violin, cello, two electric guitars, two basses, prepared piano, four percussion -two drumkits, vibraphone, marimba, hand drums) East On 53rd Street (2002-2003) ? page score, transposed parts (soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, two trumpets, horn, trombone, bass trombone, two guitars, electric bass, acoustic bass, two drumkits, extended percussion (two congas, two bells, two talking drums, sticks, handclaps, large shaker), electronics for Pierre Favre - two page score for two drum sets Fourth Generation - one page score for two percussionists or any two instruments Loop I - one page score for any instrumentation (culled from an exit cue in Raincastle) making my way thru it - six page score, transposed parts (flute/alto saxophone, tenor saxophone/bass clarinet, bass, vibraphone) Making My Way Thru It/Waiting In Vain (1998-2002, this arrangement 2002) MMW - 4 page score, transposed parts (flute, violin, alto saxophone, guitar, tenor saxophone, cello, bass clarinet, bass) Monday Morning (song in the middle) - 1 page lead sheet WIV - 3 page score, transposed parts (soprano saxophone, alto saxophone, two tenor saxophones, violin, two electric guitars, electric bass, acoustic bass, drumkit) Next Love (all things want to fly) (2002-2003) 5 page score (two violins, two guitars, two celli, two basses, two drumkit/percussion), everyone reads from score. San Dieguito River (2002, revised 2003) score, transposed parts (soprano saxophone, tenor saxophone, bass clarinet, bassoon, horn, violin, two electric guitars, two basses, piano, drumkit/percussion) Sand, Wind and the Vast Pacific Ocean (2002, revised 2003) transposed parts/score (one for strings, one for winds) (soprano saxophone, clarinet, tenor saxophone, baritone saxophone, violin, electric guitar, cello, acoustic bass, harp, piano, drumkit/percussion) Skeleton Key Theme - (2002-2008) for large ensemble, six page score Sleeping Against Other Warnings (limited only by our dreams) (2002-2003) 25 page score, transposed parts (five woodwinds-flute/soprano sax, flute, alto flute/tenor sax, bass flute/clarinet, bass clarinet; flugelhorn, trombone, bass trombone, violin, two electric guitars, cello, two basses, harp, extended percussion) Slowly going buhlert - one page score for any two instruments Structure II - for any instrumentation, two 8.5"/11" pages, color notation in large boxes, four boxes to a page Sundials (for meredith) - for piano, bass, and drumset -five page score, everyone reads from score Sundials II -for piano, violin, cello, bass, 2 flutes, bass clarinet and bassoon -two page score, everyone reads from score twenty minutes to downtown (for CG) we kiss in a shadow on the other side of this - three page score, everyone reads from score (tenor saxophone, baritone saxophone, bass, drumkit) Wisdom of not knowing I -for soprano sax, bass clarinet, vibraphone and bass -eight page score, transposed parts |
| 2001 A Murder of Crows (2001, revised 2003) 19 page score, transposed parts (five woodwinds-sop/alto sax, tenor sax/flute, alto/tenor sax, tenor/bari sax/bass clar, bari/bass sax/bassoon; two trumpets, horn, two tenor trombones, bass trombone, tuba, violin, two electric guitars, cello, three basses (two dbl. electric), four percussion (two drumkits/vibraphone/marimba/glockenspiel/chimes), four electronics) Circle of Influence (2001) -for improvising quartet and tape, one page score and CD, tape realized January/February 2001(section 1-10:12: section 2-7:46: section 3-7:25) clarity of thought (2001-2009) two page score, everyone reads from score departing landscapes (holding on desperately to memories i'll never keep) (2001) - one page score, transposed parts for any instrumentation, modular notation Discrepancy In Flow II (for John Cage) (2001-2002) -3"/3"score, tape face in the crowd (for LK) (2001) six page score, transposed parts falling too slow (2001) one page lead sheet in the year of the lion (for Wadada Leo Smith) (2001) two page score, everyone reads from score (flute, bass clarinet, bass,vibraphone/marimba, percussion) Painting On Glass (for Oscar Fischinger) (2001-2002) -for two octets and tape (Octet #1-two pianos, two woodwinds (1.flute, clarinet; 2.clarinet, bass clarinet), guitar, bass, two percussion (1. vibes, 3 metal bowls; 2. marimba, chimes, large bass drum, guiro) Octet #2-trumpet, horn, trombone, bass trombone, four electronics), twenty page score, first octet reads from score, separate parts for second octet, score for tape realization, tape realized 2002 Raincastle (2001, revised 2003) 33 page score, parts (five woodwinds-soprano/alto sax, soprano/tenor sax/flute, alto/tenor sax, tenor sax/bass clar, baritone sax/flute; two trumpets, horn, two tenor trombones, bass trombone, three violins, two celli, two electric guitars, three basses (one dbl. electric), harp, pipe organ (or synthesizer), four percussion -drumkit/vibraphone, drumkit/marimba, hand drums/vibraphone, marimba) Resonance (2001) -one page score for metal percussion quartet Shards of Memory (for Morton Feldman) (2001) - eight page score for high/low winds, high/low brass, high/low strings and percussion Spectrum (2001) - two page score for three soprano saxophones some journeys take a lifetime (2001) - one page score for any instrumentation There Is Beauty There Waiting For You (for joni mitchell) (2001) -extended composition for piano/voice, vibraphone, bass and drumkit. darkness, memory and the western wind (2001, revised 2003) -for improvising quintet, piano and tape, two page quintet score, one page piano score, CD (3:22), tape realized July 2001 X Marks The Spot (2001-2004) four page score, everyone reads from score wolf in sheeps clothing (2001) one page score, everyone reads from score, rhythmic notation for two or more instruments World coming up (2001) - two page score for any instrumentation |
| 2000 firecliffs (2000) five page score, transposed parts (soprano/alto saxophone, tenor saxophone, bass, drumkit) hookers, dinosaurs, clowns and other sick shit (does everything have to be funny?) (2000) for saxophone quartet Is That You (Earl)?/Dogs Don't Bark At Ghosts (1997-2002, this arrangement 2002) two page score, transposed parts (soprano/alto saxophone, two tenor saxophones, baritone saxophone, trumpet, trombone, two guitars, two basses, drumkit/percussion) Last Chance To Say Goodbye (for Maria) (2000) -for large jazz ensemble, 29 page score, parts (soprano/alto saxophone, alto saxophone/flute, tenor saxophone, tenor saxophone/bass clarinet, baritone saxophone/bass clarinet, four trumpets (one dbl. flugelhorn), three tenor trombones, one bass trombone, guitar, piano, electric 5-string bass, drumset, percussion ) obscured by shadows (remembering henry grimes) (2000-2001) five page score, transposed parts (soprano saxophone,tenor saxophone/bass clarinet, bass, drumkit) one of these days (2000) - one page lead sheet, transposed parts secrets (for stella) (2000) two page score, transposed parts (soprano saxophone, tenor saxophone/bass clarinet, bass, drumkit, high voice) something bright for a dark corner (2000) two page score, transposed parts (soprano saxophone, tenor saxophone/bass clarinet, bass, drumkit) shrouded over with fog (as if the world were about to end) (2000) three page score, everyone reads from score song cycle I (2000) -three page score for soprano and piano/vibraphone squares redemption leming for Hugo Wolf stop Staring At The Sun (for archer) (2000) - one page lead sheet, transposed parts |
| 1999 achieving - one page lead sheet, transposed parts bright lights (1999-2000) two page score, everyone reads from score (two woodwinds, bass, percussion) Caravan Of Dreams For DPH (1999) -for improvising trio and tape, fifteen page score (everyone reads from score - tape, woodwind, bass and percussion), CD (15:23), tape realized August/September 1999 Gaslamp Quarter Redux (1999) - six page score for sextet, multi-sectional piece in her garden (1999) -for solo piano, two page score kaleidoscope moon II (1999-2001) four page score, transposed parts (soprano and two tenor saxophones, high voice, bass, percussion -two glockenspiels, two vibraphones, xylophone, chimes, almglocken and gong) kaleidoscope moon III (1999) two page score, everyone reads from score (two woodwinds, bass, percussion) livingston (1999) - one page score, for any instrumentation, melodic contour piece lonesome tree (1999) - one page lead sheet, transposed parts october calm (1999) - one page lead sheet, transposed parts starsong (1999-2001) four page score, transposed parts (soprano/alto saxophone, tenor saxophone, bass, drumkit), extended form, multi-metric piece Structure I (1999) -for any instrumentation, two 8.5"/11" pages, color notation on four line staff Where's Han? (for Han Bennink) (1999) -for large jazz ensemble, 44 page score, parts (two alto saxophones, two tenor saxophones, baritone saxophone, three tenor trombones, one bass trombone, four trumpets, guitar, piano, bass, drumset, two percussion (I-bass drum/cymbal, glockenspiel, jug, vibraphone: II-vibraphone, bones, marimba, handclaps) who are those guys? #3 (1999) - one page lead sheet, transposed parts |
| 1998 trust + respect = friendship -for wind ensemble, 16 page score, parts (piccolo, two flutes, two clarinets, two bass clarinets, two oboes, two bassoons, four trumpets, four horns, three tenor trombones, bass trombone, three tubas, digeridoo, percussion - I-5 timpani, crotales; II-(two players) airhose, snare drum, bass drum, marimba, xylophone; III. bamboo wind chimes, bongos/two toms, xylophone; IV-glockenspiel, two triangles, three suspended cymbals, three brake drums; V-vibraphone (with two bows), coilspring, maracas, rachet, sleighbells; VI-two bell plates, small thundersheet, gong, tam tam, marimba; VII-chimes) a search for truth (blues for sdsu) - for quartet, four page score, transposed parts (soprano saxophone, tenor saxophone, bass, drumkit/vibraphone) -condensed version of trust + respect = friendship Across The Bridge (1998-1999) -one page lead sheet, 5/4 straight eighths composition all is silent (1998-1999) - one page lead sheet, transposed parts Bells For You - one page lead sheet blurred image - lead sheet, transposed parts, multi-metric piece castles in the clouds - lead sheet, transposed parts the checkerboard - lead sheet, transposed parts dancing horses (on the wall) - lead sheet, transposed parts, multi-metric piece Dreams of a new day - one page lead sheet the freeway - structured improvisation in her garden II - three page score, everyone reads from score (soprano saxophone, bass clarinet, vibraphone, acoustic bass) kaleidoscope moon (early version) - four page score, transposed parts (alto saxophone, bass, percussion-thundersheet, gong, two hubcaps, large spring, two bell plates, two triangles, small indian bells or finger cymbal chain, bongoes, low tom or conga, concert bass drum), extended piece kaleidoscope moon I (1998-2001) five page score, everyone reads from score (soprano/alto/baritone saxophone, tenor/baritone saxophone/bass clarinet, bass, percussion-vibraphone/marimba/chimes), multi-metric pieces with two strata josh jones (1998-2000) - lead sheet, transposed parts the leaf song - lead sheet, transposed parts parabolic flower - one page score for any size ensemble, shape notation promises (1998-1999) lead sheet, transposed parts silverfish - two page score, transposed parts for quartet (soprano sax, tenor sax, bass, percussion), extended form, odd meters, poem source of the infection - two page score for any two instruments, repetition structures/rhythmic notation Tomorrow - one page lead sheet waiting in vain (1998-2002) - four page score, transposed parts for quartet (soprano sax, tenor sax, bass, percussion), multi-sectional piece wind (standing waves) - lead sheet, transposed parts Zeitgeist II (for trio) -for any three instruments, one 11"/17" page (later reduced to two 8.5"/11" pages for the Return To One books), shape notation on five line staff |
| 1997 is that you (earl)?/dogs don't bark at ghosts (1997-2000) two page score, transposed parts, multi-sectional piece one rainy night - lead sheet, transposed parts |
| 1996 But Not For Lee Great Gonzos Birthday Bash |
| 1995 In a Sense |
| 1994 Bouts of doubts (1994-1997) - one page lead sheet Caution - one page lead sheet Courtneys Song - for flute, clarinet, horn, two violins, viola, two celli, bass Four Years - for marching percussion ensemble I Only Dream Of Gingerbreadmen At Noon -one page lead sheet, 13 bar blues Raj - one page lead sheet Repostructive Antiatrist - one page lead sheet Symphony #2 - unfinished Walled Garden (for Ruth Larabee) - one page lead sheet War Prayer - for wind ensemble + percussion What Is The Point? - one page lead sheet, multi-metric piece Zac's Rondo - one page lead sheet |
| 1993 Arei - one page lead sheet Boat Dance - for percussion ensemble, unfinished Five and Dime - one page lead sheet Good and Stupid - one page lead sheet Pinched Lips - one page lead sheet Sludge (Dear Mr. Young) - for percussion ensemble solitary lines (delineation of a circular motive) (1993-1999) two page score, transposed parts (soprano/alto saxophone, tenor saxophone, bass, drumkit/vibraphone), multi-sectional piece Standing Waves (11 Miles) - one page lead sheet Tribe Together - for percussion ensemble |
1992 |